Sheila Hicks: Seize Weave Space will be on view at the Nasher Sculpture Center, Dallas, TX, May 11 through August 18, 2019.
Read MoreSheila Hicks: 'Seize, Weave Space' at Nasher Sculpture Center

Sheila Hicks: Seize Weave Space will be on view at the Nasher Sculpture Center, Dallas, TX, May 11 through August 18, 2019.
Read MoreFeatured press for Louis Fratino’s solo exhibition, Come Softly To Me, on view at Sikkema Jenkins through May 18, 2019
Read MoreDemish Danant presents Sheila Hicks: Line by Line, Step by Step, a solo exhibition Hicks’ work, on view April 29 through June 8, 2019.
Read MoreSikkema Jenkins & Co. is pleased to announce representation of Brenda Goodman.
Read MoreNichido Contemporary Art presents a solo exhibition of Vik Muniz’s works from his Postcards to Nowhere and Album series.
Read MoreSheila Hicks, VARMAYANA (The Place of Shining Light), 2018. Photo by Zachary Balber, courtesy of The Bass, Miami Beach.
The Bass Museum of Art is pleased to present Campo Abierto (Open Field), a solo exhibition of works by Sheila Hicks.
Read MoreThe Kitchen is pleased to present ANOHNI: LOVE, an multimedia exhibition on view April 3 to May 11.
Read MoreContemporary Arts Center New Orleans is pleased to announce Hinge Pictures: Eight Women Artists’ Explore the Third Dimension , a group show featuring work by Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão, and Claudia Wieser.
Read MoreTate Modern and Hyundai Motor have selected Kara Walker to create the next annual Hyundai Commission at the Turbine Hall.
Read MoreVarious Small Fires is pleased to present Parts and Scenes, Nikki S. Lee’s first exhibition of the Parts (2002-2004) series in the United States in nearly a decade. The show also presents Scenes (2014), a series of short videos that VSF is proud to debut.
Parts and Scenes both feature the artist in tableaux of her own design; her visage is the constant that nonetheless changes in the contexts of the various photographs and videos. For Parts, Lee concerns herself with how individual women relate to men, avoiding archetypal female characters as explored by Cindy Sherman in her Untitled Film Stills. The works focus on the female figure, while her male companion is invariably cut out of the composition. What remains, what the artist guides the viewer to see, is the woman and her expression, her clothing and how she carries herself, and what her body language communicates about her mood.
The videos presented within Scenes depict different couples, composed of Lee with anonymous men, making out in various settings—a karaoke bar and a motel room among them. Lee frames the action with her photographer’s eye, rather than that of, say, the pornographer or the motion-picture director. Instead, she encourages viewers to feel the space she pictures. The videos convey disparate feelings, even as they document the awkwardness that attends physical communion. (Dr. Cherise Smith)
Nikki Lee: Parts and Scenes is on view at Various Small Fires through March 2, 2019. To read more, click here.
Jeffrey Gibson: The Anthropophagic Effect will be on view at the New Museum February 13 through June 9, 2019.
Read MoreErin Shirreff, Still (no. 7), archival pigment print, 2016
Parisian Laundry is pleased to announce a solo exhibition of Erin Shirreff’s work, on view January 17 through ebruary 23, 2019.
Read MoreSens dessus dessous, installation de Sheila Hicks à Chaumont-sur-Loire, 2018 - © Éric Sander
Sheila Hicks’ fibre installation Sens Dessus Dessous, is on view at Domaine de Chaumont-sur-Loire through February 2.
Read MoreSikkema Jenkins & Co. is pleased to announce representation of Louis Fratino.
Read MoreSikkema Jenkins is thrilled to announce Josephine Halvorson as a recipient of ICA/Boston’s 2019 James and Audrey Foster Prize.
Read MoreDeana Lawson: Planes is on view at The Underground Museum through February 17, 2019.
Read MoreMagasin III Museum & Foundation for Contemporary Art in Stockholm is pleased to announce Migdalor by Sheila Hicks, the second exhibition in its permanent satellite space in Jaffa, greater Tel Aviv since it opened in January 2018.
Read MoreFeaturing over 65 works in a wide variety of mediums, Jeffrey Gibson: Like A Hammer explores the universal themes of race, power, and colonialism, along with community, love, and survival.
Read MoreWe are thrilled to announce the release of Deana Lawson: An Aperture Monograph.
Read MoreFor her first fashion project, Deana Lawson photographs Rihanna for the cover of GARAGE Magazine's 15th issue titled "The Human Future."
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